On set, production shot with D2 Motion’s Argo motion control rig. So how do you re-create that background? You either lock the camera or you re-create the move.” If you’ve got a big guy in a green suit walking around interacting with talent, he’s going to be covering a lot of the background. “It just enables you to get a clean plate and repair any changes in between takes, especially since we were staging a number of fight moments. “Both Leigh and DOP Stef Duscio brought up motion control at an early meeting, and that’s what we were going to suggest, too,” outlines Dearing.
Invisible man cast series#
These were when Cecilia is attacked in the kitchen, and later when she and a whole series of guards battle an invisible force – whose suit is now beginning to glitch – at the psychiatric hospital. It was determined, then, that two of the most significant action sequences in the film would benefit from the use of motion control.
Whether taken as an allegory for spousal abuse, or viewed simply as a deft cat and mouse thriller, The Invisible Man is a superb genre effort that absolutely deserves to be seen.Fight moments involving the Invisible Man were generally going to make use of a greenscreened stunt performer who would then need to either be painted out of the frame, or who performed in rehearsal takes and then stepped out of frame for a ‘clean’ plate. Rising from the ashes of Universal’s failed Dark Universe experiment, it offers a clever, engrossing and frequently genuinely scary genre flick made on a limited budget with a stellar cast and thematic resonance. Ultimately, The Invisible Man is a triumph. When he’s invisible, however? Whole other story. Ironically the only cast member who fails to make an impact is Adrian himself, who never quite convinces when he’s on the visual spectrum. Moss is superb as the PTSD-suffering Cecilia, showcasing an impressive range of emotion, and is backed up by a capable support cast, including Michael Dorman as Adrian’s slimy lawyer brother, Tom. Expect long, lingering takes that play with negative space, genuinely edge-of-your-seat sequences that skillfully ratchet up the tension and a score that channels the orchestral ghost of Bernard Herrmann.
Invisible man cast upgrade#
Whannell has eschewed the fun, trashy vibe of his previous flick – the woefully underrated Upgrade (2018) – and adopted a style more in line with the likes of DePalma or Hitchcock. However, even if you ignore the subtext, it’s an absolute pearler of a thriller in its own right.
The Invisible Man is essentially the story of an abusive relationship with a science-gone-amok twist and it works beautifully, making the film feel thematically relevant. Then the news comes that Adrian is dead, he’s killed himself, and though she can barely believe it, Cece starts to hope for some peace at last. Cecilia tries to piece together the shattered fragments of her life with sister, Alice (Harriet Dyer) and friend James (Aldis Hodge) helping as best they can. The Invisible Man (2020) is really all about Cecilia Kass (Elisabeth Moss), who in the film’s tense opening finally escapes from her abusive, domineering boyfriend, and brilliant scientist, Adrian Griffin (Oliver Jackson-Cohen). If you’re talented Aussie writer/director, Leigh Whannell, you take the story in a different direction and change its point of view, making it more personal and much, much scarier. Sure, the idea of a bloke sneaking around unseen probably scared the pantaloons off audiences in 1933, but it’s a bit more of an ask in an era of identity theft, rising fascism and the planet being on fire. How do you make the Invisible Man scary in 2020? It’s a tough proposition, as is the case with most of the classic Universal monsters.
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